Personne : Nicolas Bernier

  • œuvres
    Diane et Endimion, cantate, paroles de Louis Fusellier; Médée et Bachus, deux cantates; musique pour les nuits de Sceaux, 1715.
  • Grove Music Online
    Jean-Paul MONTAGNIER : 'Bernier, Nicolas', Grove Music Online ed. L. Macy (Accessed 28 May 2004), http://www.grovemusic.com :
    "Bernier, Nicolas (b Mantes-la-Jolie, 5/6 June 1665; d Paris, 6 July 1734). French composer, harpsichordist, theorist and teacher. He probably learnt music in the maîtrise of the collegiate church of Notre Dame, Mantes, and in that of Evreux Cathedral. According to the Etat actuel de la Musique du Roi (1773) he then studied with Caldara in Rome. In 1692 Bernier was living in the rue Tiquetonne in Paris and was teaching the harpsichord. On 20 November 1693 he failed to win the post of maître de musique at Rouen Cathedral in competition with Jean-François Lalouette. He was appointed head of the maîtrise of Chartres Cathedral on 17 September 1694 and remained there until 18 March 1698, when he obtained a similar position at St Germain-l'Auxerrois, Paris. A Te Deum performed before the king at Fontainebleau on 24 October 1700 was very successful, and was sung again in several Parisian churches in 1701 and 1704. On 5 April 1704 he succeeded Marc-Antoine Charpentier as maître de musique of the Sainte-Chapelle, resigning from this post on 18 September 1726 in favour of his friend François de La Croix. It had taken the patronage of Philippe, Duke of Orléans, for him to keep the position after his marriage to Marie-Catherine Marais on 20 June 1712, since the rule of the Sainte-Chapelle required its maître de musique to be ‘a celibate in clerical garb’. In spite of Le Cerf de La Viéville's claim, Bernier was not an abbé, but only an acolyte entitled to wear the clerical collar. In 1715 he took part in the divertissements organized by the Duchess of Maine at her château of Sceaux. In January 1723, at the request of the regent, Michel-Richard de Lalande gave up three of his four trimestrial periods of duty as sous-maître de musique at the Chapelle Royale. The posts thus created were allotted, without being thrown open to competition, to André Campra, Charles-Hubert Gervais and Bernier, who officiated during the summer term of duty until his death. In 1726 Lalande's term became vacant when he died, and was shared between the remaining sous-maîtres, with Bernier taking charge of the education of the Chapelle pages until 1733. He was in fact famous as a teacher."
    AS