Personne : Jean Paul Égide Martini

D'une troupe

Role Troupe De à
chef de troupe
 Théâtre de Monsieur (Théâtre Feydeau) 1789 Inconnue

Titre Date Rôle
Le Droit du seigneur 1783-10-17 compositeur
Le Fermier d’un jour 1770 auteur
Henri IV 1774-11-14 compositeur
Sapho 1794-12-12 compositeur
Les Accordées de village 1791-05-04 compositeur
L’Amant sylphe 1783 compositeur
Le Rendez-vous bien employé 1774-01-10 compositeur
La Convalescence de Thémire 1765-02-20 compositeur
Le Nouveau né 11-1772 chorégraphe
Le Fermier cru sourd 1772-12-07 compositeur
L’Histoire universelle 1790-12-16 compositeur

Performance Rôle Troupe Date
L’Amoureux de quinze ans (1777-06-02) compositeur 1777-06-02

  • Sujet BNF Cat.
    Objet "Compositeur d'origine allemande. - Né à Freystadt (Bavière) ; mort à Paris. - Auteur d'œuvres lyriques, religieuses, instrumentales et de romances. - Entre au service du roi de Pologne Stanislas Leszczynski, à Nancy (1760). - Dirige la chapelle du prince de Condé, la musique du comte d'Artois et le théâtre de Monsieur. - Inspecteur du Conservatoire et professeur de composition (1795-1802). - Surintendant de la musique royale, directeur de l'orchestre de la cour de Louis XVIII (1814-1816). Formes rejetées du nom de l'auteur : Martiny pseudonyme ; Tedesco, Il pseudonyme ; Schwartzendorf, Johann Paul Aegidius Martin."
    Utilisateur SAF
  • Sujet LoC Cat.
    Objet "Nom = Martini, Jean Paul Égide ; Martini, Jean Paul Egide ; Martini, Jean Paul Egido."
    Utilisateur SAF
  • Sujet Grove Music Online
    Objet [extrait de:] M. ELIZABETH C. BARTLET: 'Martini, Jean-Paul-Egide', Grove Music Online ed. L. Macy (Accessed 10 June 2004), http://www.grovemusic.com :
    "Martini, Jean-Paul-Egide [Martin, Johann Paul Aegidius; Schwarzendorf; Martini il Tedesco] (b Freystadt, Bavaria, 31 Aug 1741; d Paris, 10 Feb 1816). French composer of German birth. Son of the organist Andreas Martin, he was trained first by his father and later at the Jesuit seminary in Neuburg. In 1758 he began studies in philosophy at the University of Fribourg […]. In 1760 he arrived destitute in Nancy, where his musical gifts soon brought him to the attention of two influential patrons: in Fléville the Marchioness of Desarmoises, […] and in Lunéville Stanislas I, the exiled King of Poland, Duke of Lorraine and father-in-law of Louis XV. After Stanislas’s death in 1766 Martini went to Paris, where his instrumental works including much military music began to appear under the name ‘Martini il Tedesco’to distinguish him from G. B. Martini.
    Thanks probably to his Lorraine patrons, Martini had introductions to important courtiers; he began to collaborate with the court-connected librettists Pierre Laujon and Barnabé Farmian de Rosoi. He acted as secretary to the Marquis of Chamborant and as first equerry to the Prince of Condé, and later became the prince’s music director; his first two operas were written to commemorate special occasions for this house. […] His printed score of Annette et Lubin is dedicated to the Count of Artois (later Charles X), whose music director he had become. In 1789 he became general director of the Théâtre de Monsieur (later the Théâtre Feydeau).
    The fall of the monarchy (1792) brought financial disaster, and Martini risked arrest as a supporter of the ancien régime, he left the capital for Lyons and returned only with the end of the Terror (late 1794). With the Thermidorian Reaction he again benefited from official support, through a special government grant in 1795 and an appointment as inspecteur to the new Conservatoire (he assumed duties in 1798 and retired in 1802). Martini adapted skilfully to the changing regimes. […] Yet with the Restoration of the Bourbons he insisted on – and received – his appointment as surintendant de la musique du Roi (to which in 1788 he had been named en survivance, next in line after the death of the current holder)."
    Utilisateur AS
  • Sujet TRP_PERSON_NAME
    Objet Martini, Jean-P.-E. + composer