Sujet
œuvres
Objet
Pharamond (drame mêlé de chœurs et de chants, 5, P.-A.-L.-P. Plancher de Valcour), Paris, Délassement-Comiques, 1790. L’homme à la minute (oc, 2, Valcour), Paris, Délassement-Comiques, 1790. Les deux dragons (oc, 1), Arras.
Doubtful: Le mannequin vivant, ou Le mari en bois (oc, 1), Paris, Feydeau, 1796. Hymn for the Sovereignty of the People (Leducq), Arras, 20 March 1799."
(DEANNE ARKUS KLEIN : 'Glachant, Antoine-Charles', Grove Music Online, ed. L. Macy (Accessed 14 June 2004), http://www.grovemusic.com).
Utilisateur
AS
Sujet
Grove Music Online
Objet
DEANNE ARKUS KLEIN : 'Glachant, Antoine-Charles', Grove Music Online, ed. L. Macy (Accessed 30 March 2004), http://www.grovemusic.com :
"Glachant, Antoine-Charles
(b Paris, 19 May 1770; d Versailles, 9 April 1851). French composer and violinist, son of Jean-Pierre Glachant. He received his early training from his father. In 1790 he became orchestra director of the Théâtre du Délassement-Comiques, an opera house where young artists obtained performing experience. […] Glachant had left the theatre in disappointment by 1791, and joined the military campaign in Belgium in 1792. By 1795, when he married, he had settled in Arras as commander of the third company of the Corps des Mille Canonniers de Paris, and later (1813) became commander in charge of the Arras defence. There in 1806 he helped to found a music conservatory which maintained a close relationship with the Paris Conservatoire, and in 1812 he founded an active amateur music society which later became the Philharmonic Society. […] In about 1823 he moved to Paris where he led the orchestra at the Théâtre Français and witnessed the success of his duos and quartets at the soirées organized by Baillot. He returned in 1830 to Arras where he continued his previous work until his retirement to Versailles in 1846."
Utilisateur
AS