Personne : Louis-Claude-Armand Chardin/Chardiny/Chardini

Titre Date Rôle
Le Petit sacristain 1792-03-13 compositeur
Annette et Basile 1784-05-28 compositeur
Le Pouvoir de la nature 1786-03-04 compositeur
La Ruse d’amour 1785-08-25 compositeur
Le Clavecin 1787-02-21 compositeur
L’Amant sculpteur 1790-09-15 compositeur
Les Deux porteurs de chaise 1781-07-26 compositeur
Clitandre et Céphise 1788-05-19 compositeur
Le Diable boiteux 1782-09-27 compositeur
L’Oiseau perdu et retrouvé 1782-11-05 compositeur
Honoré Inconnue compositeur
L’Anneau perdu et retrouvé 1764-08-20 compositeur
L’Histoire universelle 1790-12-16 compositeur

  • BNF, catalogue :
    Chardin, Louis (1755-1793) - forme savante à valeur internationale.
    Naissance : 1755 - Mort : 1793-10-01
    Compositeur.
    Forme(s) rejetée(s) :
    < Chardiny, Louis
    < Chardini, Louis
    Sources : Grove 6 : Chardiny, Louis (Claude) Armand [né à Rouen]. - DBF : Chardin (Louis-Claude-Armand), dit Chardini [né à Rouen ou à Fécamp]. - BN-Opaline Musique, 2001-02-23.
    AS
  • Desarbres
    Desarbres N., Deux siècles à l'Opéra, 1868, p. 90 : "Chardini (lisez Chardin); depuis quelques années déjà, pensionnaire modeste de l'Opéra, se révéla par le rôle de Thésée, dans Œdipe à Colone. Chardini mourut en 1794, à l'âge de trente-huit ans."
    AS
  • Grove Music Online
    Michel NOIRAY : "Chardiny, Louis-Claude-Armand', Grove Music Online ed. L. Macy (Accessed 18 March 2004), http://www.grovemusic.com :
    "Chardiny [Chardin, Chardini], Louis-Claude-Armand (b Fécamp, 1755; d Paris, 1 Oct 1793). French composer and singer. Italianizing his name to increase his chances of success, he joined the Académie Royale de Musique as a basse-taille in 1780, although judging by his most successful part, that of Theseus in Sacchini’s Œdipe à Colone, his voice was a tenor rather than a baritone. His taste was for serious opera (he was a fervent admirer of Gluck), but his only contribution to the repertory of the Opéra was to write the recitatives and some cavatinas for a French adaptation of Paisiello’s Il re Teodoro in Venezia (as Le roi Théodore à Venise, 1787). La ruse d’amour, produced at the Théâtre des Beaujolais, brought that small theatre its first real success ten months after it had opened. In this work, as in Le pouvoir de la nature, the other of his operas available in score, Chardiny sought to compete with the opéras comiques produced at the Comédie-Italienne. Later he was employed as an arranger for the Théâtre du Vaudeville (from January 1792). Beffroy de Reigny wrote that ‘Chardiny hated the revolutionaries’, but he was nonetheless captain of a section of the National Guard at the time of his death."
    AS
  • œuvres
    Michel NOIRAY : "Chardiny, Louis-Claude-Armand', Grove Music Online ed. L. Macy (Accessed 18 March 2004), http://www.grovemusic.com :
    [See below - also:] Doubtful: La papesse Jeanne (Flins), Vaudeville, 5 Feb 1793."
    AS
  • Reference
    Pitou 1715-1815, p. 105.
    MM